JAY’S ART BLOG

Jason Welsh Jason Welsh

How I establish a solid foundation for my artwork

“In the confrontation between the stream and the rock, the stream always wins – not through strength, but through persistence.”
— Buddha

For every piece of artwork I create, I lay in a solid underdrawing which provides an important foundation for the steps that will follow. I enjoy carefully drawing in the outlines of shapes with a pencil and seeing the image slowly start coming into focus.  This takes patience, persistence, and determination, and it is crucial for producing a good piece of art in the end.  I always freehand any drawing that I do. I never use a grid or trace or use projection techniques for any of my artwork. Using a freehand drawing approach forces me to closely study the subject and it keeps my drawing skills sharp. Below are some examples of underdrawings paired with the finished piece to show how the underdrawing helps me get good final results. The quick snap shots I took of the underdrawings are not perfect, but I think they are good enough to illustrate my point.


The underdrawing for the painting below was a lot of fun. I was eager to start laying in the washes for this striking image right away, but I knew I had to take some time to lay in the groundwork first. I would never have been able to get the relationships of shapes and values correct during the painting stages had I not done this foundational underdrawing first.

Lion with wreath; Watercolor on paper, 15” x 20”


For the drawing below, I wanted to build the values up using toned paper, white colored pencil, and an array of graphite pencils. As I laid in the underdrawing, I aimed to create a sound structure onto which I would build my shadows and highlights. I don’t necessarily put in every last detail before I start filling in the values. I put in sufficient information to give me confidence I need to dive into the next stage of the piece.

Self-portrait; Graphite and white pencil on toned paper, 11” x 14.5”


The subject below captivated me with its interesting shapes, colors, and of course the atmospheric light. My excitement for the subject made it easy to meditatively take my time with the underdrawing and enjoy the process. As with all of my artwork, inspiration was a driving force compelling me to create the illusion of three dimensional space on a daunting blank sheet of paper. It did require some time to get the drawing correct, but I think the end justifies the means.

Sunlight on stone owl; Watercolor on paper, 18” x 18”

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Instruction Jason Welsh Instruction Jason Welsh

The basics of creating good colored pencil artwork

Below is the first stage of a drawing I did back in 2014. In this underdrawing, I carefully drew in the crucial framework for the piece using a graphite pencil. As I made these marks, I studied the relationships of all of the shapes, tonal and color values, and edges so I had the information I needed to fill in the color. I didn’t draw in every detail in this step. I just wanted to lay in what I needed to ensure I didn’t make any major errors in the next stages while filling in the color.

An accurate underdrawing is critical for making a good piece of artwork.

Below is the next stage of the drawing where I start filling in the color.  Here, I started with the main subject, because that's the most important part of the drawing and I wanted to make sure it looked right.

Filling in the color is so fun and relaxing!

With my main subjects looking good, I went forward with filling in my foreground.  I took the time to capture the radiant sunlight and those lovely cast shadows on the grass.  Unfortunately, the quick photo I took ended up with a glare on the left side, but this is just to illustrate the process.  In the final image, the patterns of light and shadow take the viewer's eye into the picture nicely.  

The foreground is simple but conveys enough information to help tell the story of a pleasant summer day.

Then, as shown below, I laid in the background.  I only wanted to indicate the patterns and textures of the trees without distracting the viewer's eye from the trucks.  Then I made any final adjustments and of course included my signature at the bottom to finish the piece. I think I nicely captured the summer feel of this simple rural scene.

The final piece is the product of careful planning and drawing combined with ample creative inspiration.

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My art blog is a place for me to share my thoughts about creating and appreciating art.


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